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THREE:Still more impressive, if we consider the writings of Plotinus on their personal side, and as a revelation of their author��s mind, is the high and sustained purity, the absolute detachment and disinterestedness by which they are characterised throughout. No trace of angry passion, no dallying with images of evil, interferes to mar their exalted spirituality from first to last. While the western world was passing through a period of horror and degradation such as had never been known before, the philosopher took refuge in an ideal sphere, and looked down on it all with no more disturbance to his serenity than if he had been the spectator of a mimic performance on the stage.504 This, indeed, is one of340 the reasons why the Enneads are so much less interesting, from a literary point of view, than the works of the Roman Stoics. It is not only that we fail to find in them any allusions even of the faintest kind to contemporary events or to contemporary life and manners, such as abound in Seneca and Epict��tus, but there is not the slightest reference to the existence of such a thing as the Roman empire at all. One or two political illustrations occur, but they are drawn from old Greek city life, and were probably suggested by Plato or Aristotle.505 But this tremendous blank is so perfectly in keeping with the whole spirit of Neo-Platonism as to heighten instead of lowering its aesthetic effect. In studying the philosophy of the preceding centuries, to whatever school it may belong, we have the image of death always before our eyes; and to fortify us against its terrors, we are continually called upon to remember the vanity of life. This is the protest of thought against the world, just as in Lucian and Sextus we hear the protest of the world against thought. At last the whole bitter strife comes to an end, the vision of sense passes away,Yet another step remained to take. Punishment must be transferred from a man��s innocent children to the man himself in a future life. But the Olympian theology was, originally at least, powerless to effect this revolution. Its gods, being personifications of celestial phenomena, had nothing to do with the dark underworld whither men descended after death. There existed, however, side by side with the brilliant religion of courts and camps which Greek poetry has made so familiar to us, another religion more popular with simple country-folk,53 to whom war meant ruin, courts of justice a means invented by kings for exacting bribes, sea-voyages a senseless imprudence, chariot-racing a sinful waste of money, and beautiful women drones in the human hive, demons of extravagance invented by Zeus for the purpose of venting his spite against mankind. What interest could these poor people take in the resplendent guardians of their hereditary oppressors, in H��r�� and Ath��n��, Apollo and Poseid?n, Artemis and Aphrodit��? But they had other gods peculiar to themselves, whose worship was wrapped in mystery, partly that its objects need not be lured away by the attraction of richer offerings elsewhere, partly because the activity of these Chthonian deities, as they were called, was naturally associated with darkness and secresy. Presiding over birth and death, over seed-time and harvest and vintage, they personified the frost-bound sleep of vegetation in winter and its return from a dark underworld in spring. Out of their worship grew stories which told how Persephon��, the fair daughter of D��m��t��r, or Mother Earth, was carried away by Pluto to reign with him over the shades below, but after long searching was restored to her mother for eight months in every year; and how Dionysus, the wine-god, was twice born, first from67 the earth burned up and fainting under the intolerable fire of a summer sky, respectively personified as Semel�� and her lover Zeus, then from the protecting mist wrapped round him by his divine father, of whom it formed a part. Dionysus, too, was subject to alternations of depression and triumph, from the recital of which Attic drama was developed, and gained a footing in the infernal regions, whither we accompany him in the Frogs of Aristophanes. Another country god was Herm��s, who seems to have been associated with planting and possession as well as with the demarcation and exchange of property, and who was also a conductor of souls to Hades. Finally, there were the Erinyes, children of night and dwellers in subterranean darkness; they could breed pestilence and discord, but could also avert them; they could blast the produce of the soil or increase its luxuriance and fertility; when blood was spilt on the ground, they made it blossom up again in a harvest of retributive hatred; they pursued the guilty during life, and did not relax their grasp after death; all law, whether physical or moral, was under their protection; the same Erinyes who, in the Odyssey, avenge on Oedipus the suicide of his mother, in the Iliad will not allow the miraculous speaking of a horse to continue; and we have seen in the last chapter how, according to Heracleitus, it is they who also prevent the sun from transgressing his appointed limits.54 D��m��t��r and Persephon��, too, seem to have been law-giving goddesses, as their great festival, celebrated by women alone, was called the Thesmophoria, while eternal happiness was promised to those who had been initiated into their mysteries at Eleusis; and we also find that moral maxims were graven on the marble busts of Herm��s placed along every thoroughfare in Athens. We can thus understand why the mutilation of these Hermae caused such68 rage and terror, accompanied, as it was rumoured to be, by a profanation of the Eleusinian mysteries; for any attack on the deities in question would seem to prefigure an attack on the settled order of things, the popular rights which they both symbolised and protected.

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